Archive for the ‘Things I Actually Like’ Category

i want a…

11 January 2011

hybrid automobile.

and those of you out there who have heard me expound on the subject before are probably surprised.

the kicker is that i want a hybrid car that doesn’t exist, and may never exist, due to the peculiar nature of the automobile market.

the U.S. is the world’s biggest market for hybrid cars; Europe is firmly (and wisely) wedded to diesel technology, while South America is likely to follow Brazil’s lead and emphasize ethanol. countries in the Far East, namely China and Russia, are also working to wean off of petroleum and onto alcohol fuels.

the reason the U.S. so likes hybrids is because it’s scared of diesels; ever since the horrendous crap GM produced in the 1970s and 1980s, “diesel” has been a dirty word for anything but trucks. couple this with the way U.S. fuel standards lagged behind the rest of the world in things like sulfur content, and it’s amazing there are many diesel cars in the U.S. at all.

but what i want is a diesel-electric hybrid. diesel engines have some telling efficiencies over gasoline, and diesel fuel contains more energy by volume than gasoline. so let me explain the details, and you all can tell me how crazy i am.

1. i want four-wheel drive. not for performance, but safety. make this thing a plug-in series-hybrid, where the diesel engine turns a generator to charge the batteries. put a motor at each wheel, and cycle them on or off as needed. don’t forget the regenerative braking.

2. i want a 60-mile electric-only range. don’t tell me it’s not possible. make the body and chassis out of reclaimed plastics and composites; make it light and safe. tiny garage companies have been doing it (and meeting safety regulations) since the 1990s… one of the big boys should be able to do the same.

and this one’s the kicker:

3. i want the car to function as a generator at home. in a power outage the charging station should disconnect the house from mains power, start the car, and then run the house grid from the generator output.

a boy can dream, can’t he?

quote of the day:

“If we go on the way we have, the fault is our greed and if we are not willing to change, we will disappear from the face of the globe, to be replaced by the insect.” – Jacques Yves Cousteau


i like dogs.

1 September 2010

and don’t get people who don’t. what’s the first thing you do when you see a dog? offer it something to smell and scruffle its ears? or back away in fear?

the first one, i hope.

but today i observed two young ladies, unconnected to each other, react in the second fashion to the same dog. a dog that i had just been playing with.

Canis lupus familiaris has been mankind’s closest companion for around 15,000 years. think about that; fifteen thousand years. ten thousand years before the founding of the Egyptian and Sumerian kingdoms, man was living side-by-side with dogs. possibly the first creature created by man, they want to be a member of your social group; you don’t need to fear them.

sure, i’ve been bitten by dogs (both small and large), and it’s not fun. but most dogs don’t want to bite you. they just want the companionship they’ve been bred to expect through the centuries.

so next time a dog wants to talk to you, don’t be afraid – their interest is just a family tradition.

quote of the day:

“With the exception of women, there is nothing on earth so agreeable or necessary to the comfort of man as the dog.” – Edward Jesse

thoughts on the proposed City of Charleston bike ordinance:

20 July 2010

so, i didn’t go to the Charleston city council meeting today, and have no idea what was or was not decided at the meeting.

but the proposed ordinance, as discussed here and here (among other places), has some serious issues – particularly given the City’s uneven enforcement of extant laws in the past.

the current bike registration law is flawed, but this new one is actually worse. currently, the law requires all bikes used in the city to be registered with the police. i’m not resident in the city, but i still use my bikes there. under current law, CPD can confiscate my bikes as unregistered. and they have done this to those who have left bikes locked to actual racks in the past, but didn’t have a city decal.

i’m not going to buy a decal from the city. if i had to buy a decal from every jurisdiction i rode my bicycles through, you’d nowt be able to see the paint.

but let’s say i was going to buy their decal for each of my bikes.

of the four bikes i ride regularly, the newest is two years old and the oldest is twenty. two of them were built by me from parts. i am the original owner for all of them. the city requires that a receipt of sale be produced on registration. strangely, i don’t have a receipt for the Trek i bought twenty years ago and 250 miles away. neither do i have a receipt for the two bikes i built from parts; i could, perhaps, provide them with rather thick files on both. and in another case, a friend of mine has personally built two of his bikes from scratch – they don’t even have serial numbers to be recorded!

of course, the city will still register bikes without a proof of sale; they just charge you more.

so i could spend $20 for the dubious benefit of having the CPD record my serial numbers. yeah, sod that.

the new ordinance proposes an increase in the fee. hooray. it also makes parking a bike at any location other than a bike rack a crime, with a $45 fee to get the bike back. now, i can’t find any of my old parking tickets the city put on my car, but i know they were all quite bit less than $45. and there’s plenty of places to park your car, naysayers aside. not so much for bikes.

and i’m not even going to start on the sidewalk riding crap.

but all of this points to a perception of bicycles as toys, rather than valid transportation choices. for a city that supposedly wants to be considered as “bike friendly,” that’s a pretty cruddy attitude to take.

quote of the day:

“The bicycle is the most civilized conveyance known to man.  Other forms of transport grow daily more nightmarish.  Only the bicycle remains pure in heart.” – Iris Murdoch

because the intarwebs haven’t been blown up enough,

2 July 2010

here’s my take on the new Wonder Woman costume:


to expand:

there are things i really, really like about this costume. for example, pants. i realize that Diana is nigh-invulnerable, often expressed as second only to Superman in power, and therefore could fight evil in a thong back swimsuit. and, as a guy, i can recognize the appeal of the swimsuit look. but she’s the princess of the Amazons; she should have some dignity. not having her cheeks hanging out in the breeze kind of works better for that.

i also like the top (in this image, anyway). it seems to have some sort of support mechanism, perhaps even a cap sleeve or other shoulder/arm covering. once again, i understand Wonder Woman is tough. but indestructible mammaries bouncing around seems like it would get in the way. this top looks as if it would perhaps prevent such things. sadly, in Wonder Woman #600, the neckline is cut lower and the sleeves/straps/whatever are merely thin spaghetti style straps.

oh, and the belt is awesome. except, i’m sure, for whatever poor bastard has to draw it.

but the rest of the outfit? fail.

the jacket and choker are straight out of the bad old days of the 1990s; all she needs are some pouches to finish the ensemble. the jacket in particular is hideous, with its short length and improbable ability to actually close. the round pauldron-like shoulder pads make me think she stole the jacket from a midget MFP trooper as well.

the half-gloves/bracelets are more than a little over-the-top, especially since Diana can now pimp-slap a “W” logo onto dudes’ heads with them. really? how is this supposed to grow the character? plus, the Amazons’ bracelets were intended to forever remind them of their time as slaves; those don’t look like very practical manacles. they look like somebody thought the classic design was too bland and they could bling it up a bit.

i don’t know what to say about the tiara. is that a tiara? it looks like a hair band or something.

the strange strap things on her shoes are, apparently, supposed to be for spurs. really? since the back story reboot has Diana growing up an orphan in NYC, why would she be needing spurs? sure, there are bridle paths in Central Park. i know that. is Diana going to be relaxing a-horseback in her off time? and why leave the straps on her boots? it seems inconvenient.

like a lot of others, i think i would have preferred something closer to Jamie McKelvie’s Wonder Woman design of a few years ago (before he was as big as he is now):

similar to the new costume, but not as fussy, and definitely more obviously “Wonder Woman.”

this new costume is temporary; we all know that. before long, the timeline in Wonder Woman will revert to that of the mainstream DCU, and Diana will get her history and clothes back. but it sure would have been nice if this change wasn’t something i’m looking forward to seeing leave.

quote of the day:

“Bees. My God.” – Batman, Amazons Attack #3

having a blast at HeroesCon…

5 June 2010

but that’s all you’re getting, because it’s too fun to stop and write stuff. more when i’m home.

quote of the day:

“As artists, the pleasure is to really have your work resonate and mean something. Art takes its inspiration from reality.” – Yareli Arizmendi

George should have quit while he was ahead.

26 May 2010

because yesterday was Star Wars Day (and Towel Day, and Geek Pride Day), i decided to try re-watching the original trilogy as if i had never seen it before.

needless to say, this wasn’t particularly easy; i saw Star Wars eleven times between 1977 and 1979. which is a lot for a kindergartner. so i’m steeped in the mythos, and somewhat inescapably biased. but i still think i sort of pulled it off.

my “new” opinions of the films are necessarily influenced by which version i watched. i made the choice to watch the 2004 DVD release, as it’s the only version i own of all three films on DVD.

and my overwhelming opinion of the three films is that George should have quit in 1983. or maybe even 1977.

with that in mind, let’s go!

Star Wars:

you know, this is a pretty fun movie. it could be a lot better, but it’s not bad at all.

the plot’s kind of formulaic; even if i hadn’t seen it (many times) before, i would have thought i’d seen it before. but that’s understandable – Lucas borrowed (or stole) much of it wholesale from 隠し砦の三悪人, and then mixed it with the sensibilities of old Flash Gordon serials. there’s nowt wrong with this recycling, though. the universal nature of the plot makes the film approachable; the archetypal characters let the viewer feel a connected to the story without the baggage of having to actually know anything about them. farmboy? check. mysterious old man? check. dashing rogue? check. damsel in distress? check. super-evil badass? check. they’re all instantly recognizeable, and combined with the obvious plot (save the princess – from the dragon/monster/evil king/whatever – and get her home safe) makes Lucas’ at times clunky writing and direction passable.

the actors were brilliantly cast. admittedly, much of this opinion is probably informed by my prior familiarity with them. but even so, Lucas managed to assemble a fantastic group of people for this film. 1970s haircuts aside, Hamill and Ford are tone perfect in their roles – each is instantly believable as their characters. and Sir Alec Guinness? best of all. even though he hated the role.

and then it falls down. the special effects are awful. not the period practical effects; they fit the overall look of the film. but the CGI is terrible. as much as i hate the “go back and change things” movement that colorization started and Lucas has embraced wholeheartedly, i almost hope George goes back and re-does his re-dos. the textures are flat, the light balances are off, the inserted effects “float” on the screen instead of meshing – it’s just all bad. the period effects, while sometimes dated (ooooh! look! wireframe graphics! it’s the futurrrrre!), all look appropriate to the film. it’s dirty and clunky – just like a rag-tag rebellion against a galaxy-spanning evil empire would be. and the insertions didn’t really get any better in the other two.

but this film, i think, may be the point at which Lucas should have stopped – though market pressures wouldn’t necessarily let him. the first film has a beginning, middle and end. Luke and Han’s heroic arcs could be seen as complete; Han has embraced his heroic side over his raffish nature, and Luke has become a man. period. done. good guys win.

but the market wanted more, as evidenced by the facts that Star Wars played continuously in some markets for over a year, and was re-released in 1978 and 1979.

so George made The Empire Strikes Back:

you know, this is a lot stronger film. it’s much better written and directed… oh. that’s why. George just came up with the story.

but it’s missing something; the first film was an innocent romp. sure, there was evil. and even torture. but in this one? wow. chopping up poor Tauntauns because Luke’s to dumb to stay away from the dangerous wildlife? poor Dak getting stepped on by a giant robot camel. Artoo gets all dirty, 3PO gets broken into bits, Han gets pincushioned and frozen, Leia has to learn some strange new hairstyles, Luke gets his hand chopped off…

it’s just so inescapably gloomy. ok, sure, Lucas was making a trilogy by this point, and you needed a low point for the heroes to overcome.

but does Yoda have to be such a jerk? really? he’s an opinionated and greedy little bastard. and perhaps senile.

moving on.

Return (Revenge) of the Jedi:

hey! boobs!

but i get ahead of myself.

back to Tatooine. Luke sure has become a bad dude. but did he go back and study with Yoda some more? (we find out later that he didn’t. or maybe did. it’s not clear). doesn’t matter, really. the mind control thing was cute – i wonder if it’s just Tatooine it works on? we’ve not seen it anywhere else, i don’t think.

so, again: boobs!

i hope Carrie Fisher got a nice paycheck for this film. and the green tentacle-head girl, too.

Luke gets to fight Jabba’s pet monster, wins, and then we get (man-)boobs!

George sure managed to cram a lot of boobs in the first third of this film.

so, anyway, fight-fight-fight. chop up all the funny looking guards. Boba Fett goes down like a chump. fly away.

Luke bops on back to Dagobah; Yoda’s still kind of a jerk. but Luke’s real deferential. that’s nice, i guess. whoo – and then he vanished. just like Obi-Wan. so i guess all Jedi just kinda vapourize when they die. at least you don’t have magic space knight corpses lying around, then.

nifty war council; they’ve sure gotten better displays than in the first film. still a ton of vector-style graphics (you know, because it’s the futurrrrre!). most important, however, is they got the band back together. they need to do one last show to save the orphanage… wait. wrong film.

anywho, our heroes fly down to this moon (moon? that’s a big darned moon. and what is it with George and moons, anyway?) and meet a bunch of cute little teddybear critters that want to eat them and think the somewhat excessively fabulous robot is a god.


so Luke lets himself get captured (farmboys; no sense of tactics), Lando (still the only black man in the galaxy. well, other than Darth Vader’s voice) leads a seemingly suicidal attack against the Imperial fleet in a freighter, and our remaining heroes team up with the cuddly bears to beat the lasergun armed baddies with rocks. makes no sense at all, at all. but it does work as spectacle; it’s definitely a Saturday morning serial sort of sensibility.

and the shield goes down, the home hot-rod freighter is faster (and better gunned) than all the purpose-built fighter craft (even those built by the aforementioned galaxy-spanning Empire), and Luke chops his dad’s hand off. take that, dad! and you never remembered my birthday, either!

Dad Vader tosses the evil Emperor down a well (Lassie! Timmy’s down a well again!), so it’s all good again, right?

which makes me want to know, why did Luke have to burn his body? shouldn’t he have evaporated like the rest of the Jedi? we really need to pollute the teddy bear moon with those crazy looking fumes?

and then there’s a party. a HUGE party, apparently; everybody, everywhere is dancing like it’s a crazy rave or something. and i do mean everywhere.

are they all just glad it’s over? how did they know the wicked witch was dead? space Twitter? i really want to know. what do you put in 140 characters for that? what would the hashtags be?

in conclusion;

Lucas should really have stopped in 1977. as much as i love the sequels, Star Wars really should have stood alone. barring that, he should have left them as they were in 1983 (even though he’d already gone back and started re-tweaking). but he didn’t. and we got the prequels. which i refuse to discuss. though they are very pretty.

hope everyone had a good Towel Day!

quote of the day:

“A towel, it says, is about the most massively useful thing an interstellar hitchhiker can have. Partly it has great practical value. You can wrap it around you for warmth as you bound across the cold moons of Jaglan Beta; you can lie on it on the brilliant marble-sanded beaches of Santraginus V, inhaling the heady sea vapors; you can sleep under it beneath the stars which shine so redly on the desert world of Kakrafoon; use it to sail a miniraft down the slow heavy River Moth; wet it for use in hand-to-hand-combat; wrap it round your head to ward off noxious fumes or avoid the gaze of the Ravenous Bugblatter Beast of Traal (such a mind-bogglingly stupid animal, it assumes that if you can’t see it, it can’t see you); you can wave your towel in emergencies as a distress signal, and of course dry yourself off with it if it still seems to be clean enough.

More importantly, a towel has immense psychological value. For some reason, if a strag (strag: non-hitch hiker) discovers that a hitch hiker has his towel with him, he will automatically assume that he is also in possession of a toothbrush, face flannel, soap, tin of biscuits, flask, compass, map, ball of string, gnat spray, wet weather gear, space suit etc., etc. Furthermore, the strag will then happily lend the hitch hiker any of these or a dozen other items that the hitch hiker might accidentally have “lost”. What the strag will think is that any man who can hitch the length and breadth of the galaxy, rough it, slum it, struggle against terrible odds, win through, and still knows where his towel is is clearly a man to be reckoned with.”  – Douglas Adams, The Hitchhiker’s Guide to the Galaxy

mmm. tasty, tasty crow.

13 May 2010

no, i’ve not started a Corvidae diet. i have, however, had something of a change of heart concerning CGC graded comic books.

this will probably come as something of a shock to those who have been gifted with my past frothing rants on the idiocy of “slabbed” comics. i’ve never bothered to post on the subject here, as pretty much anything i could say has already been said. just Google (or Bing, or whatever) “CGC Hall of Shame.” you’ll find lots of pricing foolishness.

but i’ve started buying CGC slabbed books. i’ve even joined a subscription service for them.

in my defense, i do still think there’s a lot of stupidity in the graded comic market. not just in pricing, but in the whole concept of “graded comics.”

but i’m not buying them as an “investment.” or spending the stupid amounts of money many people pay.

i enjoy comic books and, if they’ve made it this far, i assume most people reading this do also. my opinions on graded books have long been formed and informed by the nature of my enjoyment of comics.

the comic book is an interesting art form; it uses some combination of text and sequential graphics to tell a story. not all comics have text, but all have sequential art.

as such, the comic (not the comic book) is one of the oldest continually practiced art forms. we can’t assume that the primitive humans painting on cave walls were working in the comic form, but there is no doubt that the ancient Egyptians did. the Middle Kingdom coffin texts and “Book of the Dead” describe the necessary course for the dead to take to the afterlife, using sequential art to trace the journey and texts to supply the needed spells. i do prefer being able to read my comics while still alive, though.

in one form or another, comic art continued. some may claim that Action Comics #1 is the world’s most valuable comic. i would ask them to try and put a price on the Bayeux Tapestry.

but Wilhelm Busch’s publication in 1865 of Max und Moritz: Eine Bubengeschichte in sieben Streichen in some ways began the modern comic era (as distinct from the Modern Age); in the United States, his work inspired creators whose work became ammunition in Pulitzer and Hearst’s circulation wars.

Hogan’s Alley and other strips were eventually collected, creating a market for pamphlets of just sequential art, without the newspaper wrapped around. from there came the pulp expansion into the modern comic book form. and then came the Silver Age, and Watchmen, and holofoil covers. but the comic has always been sequential art. and that has been my key objection to “slabbing” books.

once a comic is sealed in a CGC holder, it’s no longer readable. one may appreciate the front cover art and back cover advertisement, but that’s it. the whole story is locked away.

the very idea of paying a premium for something that cannot be read was anathema to me; what sense did it make?

then came Greg Rucka and J.H. Williams III’s run on Detective Comics.

aside: i collect original comic art. i’ve got several pieces framed on my walls, and others in sleeves (i need a print rack). so it’s not just the stories that “do it” for me, it’s the actual art.

Rucka’s writing was serviceable in this run, but Williams’ art was amazing. certainly some of the finest work of the Modern Age. and therefore, far out of my price range. most striking to me (particularly once considered through the prism of his interior work) were some of the covers. so i asked myself: what would it cost me to frame a comic?

the answer: too much. cheap frames started around $15 plus shipping, with premium frames running as high as $90. professional custom frames would run in the high end of that range.

but then i found CGC graded copies for under $30. graded as 9.8 (Near Mint/Mint), which means that cosmetically they’re pretty much the best you can find. and they’re already sealed in a holder which presents well. add some 3M Command picture hangers, and i’ve got nice art for the wall. are they “investments”? heck no. but they’re pretty.

the same vendor has a subscription service, and i’ve signed up (for the same per issue price) to get specific books whose cover art i particularly like. i’ll still be buying copies to read from my local comic shop, but now i’ll also have (relatively) inexpensive copies for display as well.

but i’m not going to pay hundreds or thousands of dollars for a comic book i can’t even read as an “investment.” that’s still crazy stupid.

quote of the day:

“An artist cannot fail; it is a success to be one.” – Charles Horton Cooley

shiny bits and baubles…

25 April 2010

that’s pretty much a summation of my original thoughts on the iPad.

with consideration, i revised that somewhat. but i was still a bit sceptic.

now, however, i’ve actually had my hands on one. and i really would like one. preferably a 3G. the killer app for me? Marvel Comics’ app – it really does take advantage of the gorgeous iPad screen well. it’s the first step to bringing comics into the digital age in a natural fashion, i think. not that i’m going to give up my monthly floppies! but for reading on the go? the iPad was made for such.

still not buying one, however. pricing is an issue (as i’ve said before), and that Marvel app? i’m not going to pay $2 for a comic i already have. give me collected trades! give me colour versions of Marvel Essentials! don’t rip me for another $2 bucks for a book that should have paid for itself in its print form (particularly since you’re charging $4 a book in print now).

but still, i’m convinced. the iPad is a worthwhile piece of kit. for a first generation device, anyway.

Apple has also released new MacBook Pro models – and they are truly nifty. as someone who has long been infatuated with Apple’s laptops (i’ve got a PowerBook 165 in my collection), these new MBPs are a kick ass evolution of their existing “unibody” design. now available with Intel Core i5 and i7 processors, they’re seriously fast. but the real selling points to me are the graphics upgrades.

with these new computers, Apple has two discrete GPUs: Intel HD (integrated in the Arrandale CPU) and NVIDIA GT330M graphics. by seamlessly switching between these two chipsets (based on user loading), battery life has been extended to a claimed 9 hours. which is probably a stretch, but still.

the new 15-inch model is also available with an optional 1680 x 1050 “high resolution” screen. it’s an impressive improvement over the base 1440 x 900 screen, carried over from the previous model.


quote of the day:

“If you want to make an apple pie from scratch, you must first create the universe.” – Carl Sagan

i hate this part…

21 January 2010

you know, when you can’t think of anything to write about? i need some sort of note-taking thing that’s wired into my brain (c’mon DARPA, help me out here – i know you’re working on it) so i can “take notes” without having to take notes. clear?

it seems when just wandering (well, stumbling bemusedly) through my day, i have all these little random thoughts that seem really interesting at the time. i carry a notebook, but often these ideas hit me when it’s not accessible. or when it would be inappropriate to pull out and start scribbling. or dangerous; the morning commute comes to mind.

so, all my great internal flowerings of wit bloom and die, unseen by the outside world (that means y’all). you don’t know what you’re missing. and, honestly, neither do i. if i could remember them, i’d write them down.

so, some random space fillers, in no particular order:

1. the HCBC is gearing up for the new decade. we’ve got a work space, and plan to have regular hours for folks to come by and work on their bikes with our tools “real soon now.” we’re also going to move our workshops into the space, making them a “rain or shine” event for the future. keep an eye out for an open invitation to an upcoming open house.

2. i really wish they didn’t have the SPCA bring dogs on the radio that need adoption. not because i wish ill for the dogs or the SPCA, but because it makes me sad. and it’s hard to drive to work or class if i’m bummed out. i don’t have the room or the funds to adopt a dog right now (and let’s not dwell on my antipathy towards cats), but every time i hear about these critters on the radio i want to bring them home. so you have to do it for me.

3. did we really need a remake of Clash of the Titans? i mean, the greatest attraction of the original are the Harryhausen special effects. well, and Ursula Andress. but i digress. the new film will be all seamless CGI, like Avatar and the Star Wars prequels. it seems to me (though this may be my not-well-hidden inner curmudgeon creeping out) that back when the effects guys were actually trying to create a realistic effect in the corporeal world, it gave us a better experience than the “throw tons of cpu cycles at it” approach. i know that the spaceships in the prequels look “cooler” (or, at least, smother) than those in the original trilogy, but they are less “real” because of it. if you’re going to make a film about big blue people, put some dudes in rubber suits.

4. the new Jaguar XJ is hot. i got to check it out up close, in detail at Baker Motor Company‘s launch event (now i just need a test drive). it’s got a very Citroën-inspired feel to the rear quarters. i like it a lot. but why are we only getting the V8 cars? i want the diesel! it’s only half a second slower to 60 mph than the non-supercharged V8 car (6 seconds versus 5.4), and gets 40 mpg combined. combined! did i mention significantly lower (than the petrol) CO2 emissions, with the same top speed (155 mph, in Europe)? and it runs around $11 thousand less for similar trim levels.

5. i’m beginning to loathe the term “graphic novel.” i really enjoy comic books. but not every comic book is a graphic novel. so stop calling them all that. Maus is a graphic novel. Pride of Baghdad is a graphic novel. Watchmen, V for Vendetta – graphic novels. some random storyline, contiguous in nature, collected in a single volume? Excalibur Classic, Vol. 1? not a graphic novel (good comic, though). just because it’s been collected and has a convenient unifying label hung on it doesn’t mean it’s a graphic novel. comic books are ongoing or single issue pamphlet-format works that tell a story without a preordained resolution. one could, perhaps, make the case for some one-shots as “graphic short stories,” but even most of them are beholden to external continuity. a graphic novel, on the other hand, is a story told through the same visual forms as the comic book (whether initially serialized or not) that has a beginning, middle and end. it is a contained story where the author is trying to either tell that story or expand on a larger theme. Maus, for example, tells the story of one man’s life during the Holocaust. it, therefore, is a contained story. Art Spiegelman is using the form of the comic to tell that story and make his points – he could have used other forms to do the same thing. Claremont and Davis really couldn’t have chosen another format for Excalibur, and there’s no resolution. the title ran on another 120 issues or so, through multiple creative teams, until it finally petered out. that’s not a novel, and neither are the smaller chunks – whatever titles you want to hang on them.


for not having anything to write about, i managed to burp out quite a bit. if you made it this far, i hope you enjoyed today’s maunderings. cheers!

quote of the day:

“Life and love are life and love, a bunch of violets is a bunch of violets, and to drag in the idea of a point is to ruin everything. Live and let live, love and let love, flower and fade, and follow the natural curve, which flows on, pointless.” – D.H. Lawrence

much has been made…

11 February 2009

of Charles Darwin this week. and rightfully so, for tomorrow is his 200th birthday.

but today is important for a completely different reason: it’s Mary Quant’s 75th birthday.

for those who don’t know, Mary Quant (OBE FCSD) is one of the three designers who has best claim to creating the miniskirt (the other two being John Bates and André Courrèges). in a somewhat interesting twist, Ms. Quant claimed to have named the fabric-saving dress after the Mini (her favourite car), which also has an important anniversary this year.

so, maybe take a moment today to consider a different sort of evolution.

quote of the day:

“Fashions fade, style is eternal.” – Yves Saint Laurent